This
week I watched an interview with the stars of the new film,
'Guardians of the Galaxy'. I don't know the name of the actor being
interviewed, and, as usual, I can't be arsed wasting any time trying to
find out. But he was being interviewed alongside Kurt
Russell, who was playing his wayward father in the film. The actor, who
I presume was the lead in this romp, said that he was a great fan of
Russell before making the film. He spoke of the nervousness he felt
when first meeting the his hero. Then Kurt laughed and said, “the
reality is nothing like the myth, is it?” to which the younger actor
laughed and agreed. They had become great friends, or at least they pretended
to be, while making the movie, only for the younger actor to find out
that his hero was just a guy like him who liked to mess about.
This is
the problem about pedestals, the higher they are, the more shaky they
become. And when they finally fall, they come down to earth with a
thud! I have never understood why people are so scared of meeting
their heroes, I may like someone's work, but they are just another
person like me as far as I'm concerned. I have met two of my heroes
in the past: one was a big let-down, while the other was just what I
had expected.
In 1998
a year after my first book. 'The Spot On My Bum' had been released, I
was asked if I would like to appear at Glastonbury Festival (honest). Of course, I jumped at the opportunity to be a part of this legendary
festival, all the more so when I realised that Bob Dylan, one of my all time
musical heroes, was headlining.
I first
heard Dylan's work when he released the track 'Knocking on Heaven's
Door' from the film, 'Pat Garret and Billy the Kid'. By this time, he was
already an international superstar of course, but I was in my teens at
the time and liked this track, so I decided to find out more about
him. I bought his first acoustic album and became hooked, though its
safe to say that Dylan has made some albums that should have gone
straight to the bargain bins since. But when he's on form, he can be
sublime.
The day
he was to appear at Glastonbury, I managed to find out where he would
be and because I had a performer's pass, I found it quite easy to blag
my way past the security who seemed to be just guys who lived
locally and were 'doing the doors' to make a bit of cash. I might be
wrong, and they might have been a crack team of undercover FBI agents, but they let me in without much questioning. Though one of the
security men did ask who I was, I looked at him in a way which said, 'You idiot, don't you know who I am?' then tapped my badge
hanging around my neck, which actually said 'Children's Field' on the
reverse (I still have it in my 'man-drawer'). He gave me an
embarrassed look and apologised, before letting me through. I managed
to get through to the inner sanctum where Dylan and his band and
entourage hung out. Dylan was sitting in a chair ignoring everyone. He
was dressed in a black suit and I'm sure that he had a pair of green
wellies on! His hair was curly and had obviously recently been dyed.
I was shocked at how small and frail he looked, not at all how I had
imagined him to be. I said hello to him, and he gave me the
same look that I had just given to the security guard. He then just
turned away from me as if I didn't exist. I called him a wanker and
walked out, I can't stand anyone with a bigger ego than me!
My next
hero was a completely different experience. I write poems, though whether
you class my poetry as "poetry" is a matter for yourself. But my all-time favourite poet is one John Cooper Clarke. I even wrote a poem as
a homage to him in 'The Spot on my Bum'. 'The Grass Of The Class' is
supposed to be read in true Cooper Clarke style, complete with the
Manchester accent.
John
was performing in Batley, 'I'll tell you now and I'll tell you
flatly, I ain't ever going to Batley!' a line from one of his poems.
He stormed the evening, being more of a stand up than a poet, and he was
brilliant. I caught up with him at the interval, where he was signing
books. I just wanted to say hello really. I waited in line and let
everyone with a CD or book to be signed to go first then I walked
over and stuck out my hand and said, “pleased to meet you, I just want
to say how I'm enjoying the night”. He replied, “Cheers, I'm
fucking gagging for a drink, where's the bar?” We had a brief chat
during which he made me feel as if I was an old friend of his. I tried not
to gush, being such a fan, but he was so down to earth it was just like
talking to one of my mates.
I think
all so called stars should realise that without their fans they are
just another guy with a guitar. So all would-be stars, be nice to all
your fans: you may need every fan you can get at some stage of your
career!
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